Wasn’t really sure where to post this but wanted to share this sun-faded beauty that I was still up in the window of an abandoned comic book store I walked past on my evening walk tonight.
Pet peeve number T-1000: the tale of the unfinished Metagross line from Delta and by extension, unfinished lines everywhere.
Don’t get me wrong, the Fukuda Metagross is decent, but even for Lord Kusajima this Metang Beldum combo is ridiculously good and they deserve an equally good Metagross from the same visionary:
It is worth noting that these effects can largely be replicated with digital painting effects. Digital was less popular as a medium in the 90’s and early 2000s but I know that Arita was already using it back then (I asked him about this on a livestream once, he says all of his TCG illustrations have been digital - he draws with pencil first then colors/finishes digitally) and some of Arita’s grainier textures that appear to be done on rough paper are actually digital. I had always assumed they were colored pencil or pastel.
I honestly would not be surprised if Himeno did those cards you mentioned digitally. Too my eyes it looks like it was digital to imitate pencil or pastel on rough-grained paper, which explains why there are more white “dots”/gaps in the paper. I feel like a true watercolor would also have more splotchiness and water “bleeding”. Or it was non-digital pencil/pastel, but I don’t think it’s watercolor.
Below is the Arita Cubone, which was done digitally. You can see the graininess throughout that appear to be done on physical media, but was actually digital.
It was sold at the pokemon center sometime in 2020 and there was a deckbox with this art too, heres a sold out listing on pokevault pokevault.com/janai-pokemon-tachi-playmat